Quezon City – Philippines
I started to collect postcards since i was in grade 1 , It started when our social studies teacher would require them as a semestral project which would require students to pass a couple of scenic spots , national heroes or folk dances. We would troop to the nearest bookstores and buy the cheap postcards. Paste them in a white bond paper size with all sort of captions and art papers to highlight a particular scenic spots , national heroes or folk dances. We would write the captions in colored pentel pens!
I would buy 1 or 2 more postcards as additional for my personal collection, I would later know that some of my aunts and even my mom had some postcards hidden in some photo albums or containers somewhere in our house. Some of my personal collection were lost over the years ( some eaten by termites, some were given away to friends and relatives ) I would only buy postcards intermittently . over the course of several years until i reached high school and college.
Luxemburg ( top ) Mexico ( bottom)
In a local bourse/ auction i chance upon a 2 postcards on sale about 2 years ago , With some inscription Jorge Pineda from Luxemburg and Mexico dated 1908 and 1909 respectively .
back portion of the postcards
Mr. Jorge Pineda is an artist which lived in Manila and based on personal accounts by deltiologists ( postcard collector ) and stamp collector – He seems to be a very prolific artist, stamp and even postcard collector.
He also drew cover illustrations for Renacimiento Filipino as well as ads, and designed sweepstakes tickets, postage stamps, and the prewar 20-peso bill showing the Mayon Volcano . He did illustrations for many books, such as Bajo los cocoteros (Under the Coconut Trees), by Claro M. Recto.
He was born (26 July 1879-12 Sept 1946) and won the awards at the Universal Exposition in St Louis, Misouri, USA: bronze for Campesina (Farm Girl), showing a solidly drawn head of a rural lass, and honorable mention for Las buyeras (Women Preparing Betel Nut Chew) in 1904. As a painter, He is considered as a peer and contemporary of Fernando Amorsolo but less prolific, being an occasional painter and he explored subjects outside those of the Amorsolo school. Among his most charming genre scenes are those depicting Filipino games like siklot and sungkaan.
CCP Encyclopedia of Philippine Art, Vol 4. Manila: Cultural Center of the Philippines, 1994.